Глава 13

How absurd it is that we're chasing illusions on this battlefield full of bones, blood, smoke and mud.

The illusions are our only clue. Like the Lich said, the drifting fragments of history are the tracks it left behind.

We passed through many ruins, some long-forgotten, some never remembered to begin with.

Soon, these sights will be gone too. Many times we barely arrived in time to grasp the last traces.

We found seventeen Vampire War Arts Circles.

There are maybe dozens more... maybe even hundreds more of them on this battlefield.

They all appeared within the past week, a scary level of efficiency.

We found troop tracks on two of them, but the marks indicated that the troops were only on maintenance or patrol missions.

I doubt there's much point to destroying the Arts Circles. They could easily replace them with new ones.

It's only that much more important to take control of that thing, whatever it is.

This place is completely ruined.

Just like the Rhodes Islanders said, it's another secret network of routes that lead into the city.

Through these hubs, Theresis has shipped huge amounts of steel, crystal units and witchcraft devices into Londinium, enough to repair The Shard and complete that airship.

But how did these materials reach Londinium? Even the dumbest dukes wouldn't let large shipments of materiel outside their control to travel freely around Victoria.

It's probably that they, like the Nachzehrer King's legion, appeared out of thin air around the hubs.

The so-called Sarkaz supply line we've been looking for may be the last and least important step of the transport process.

How did they do it?

Not only that, if Theresis had access methods like this, why isn't he using them directly in battle?

Teleporting armies behind enemy lines, or plopping Originium bombs right on top of ducal flagships.

Either there are limitations to the method... or it's actually really fragile.

The Lich called it an Art beyond the realm of Originium Arts, but I just couldn't picture it...

W, over there—

Huh?

Uh, no sign of battle. It's completely collapsed.

W has looked detached ever since that encounter a few days ago.

I saw her gaze absent-mindedly into the fire while on night watch.

I can't help her. She'll get through this on her own.

Let's go. There's nothing to see here.

I look at the map in my hand. Scattered dots mark the locations of the Vampire Arts Circles.

I added a few, including the logistics hub just now, and the Nachzehrer King's legion camp.

Something had been placed there using the same methods.

There must be something linking them.

I scan the names on the map. Hills, valleys, small patches of forests, and a few small ponds.

Some sort of commonality? Shared geographical traits?

My eyes fall upon the name of a town. Brentwood.

Ines, you said that Rhodes Island analyzed the intel from the Defense Forces command tower, where they had set their sights near a town by the name of Brentwood.

I draw a circle around Brentwood's location.

Closure came up with the analysis. She stole the records of all cargo movement since Theresis entered the city in 1094, and created an overlapping route map.

All the towns around Londinium were covered in these cargo movements on the map.

It's Victoria's capital, after all. All the steak and wine the citizens enjoyed before the war didn't grow on the shelves.

But the area around Brentwood is strangely empty, with only a few scattered entries around 1094 and 1095.

It's pretty weird. Like there's a forgotten town right here in the middle of Victoria.

The Rhodes Islanders think Brentwood might be the starting point of the Sarkaz underground railroad, or the hub of a hidden network, implementing some sort of secret embargo.

We just proved the existence of these logistics hubs.

But, we also learned that Theresis has a pair of, well, invisible hands, which lets him puts things anywhere he wants.

We may need to reassess the significance of Brentwood.

...No.

The closer we get, the more Vampire Arts Circles we see.

Meanwhile, if we draw a line from the furthest points to Brentwood, we see that they're about equidistant. That might be the logistical limit.

Stop guessing. I know Brentwood. You couldn't hide anything in that poor-ass town. There were barely any Sarkaz vagrants when I visited a few months ago.

Maybe the caravans just don't pass through 'cause there's nothing interesting there.

W disinterestedly throws a rock over.

She's in a bad mood alright. She would normally have thrown a grenade pin.

The rock rolls on the map and falls right where I'm looking. I'm about to move it out away—

There's a patch of hills not far behind Brentwood. The rock fell right in the middle of the icons representing hills.

...*sigh*.

Let's go. It's not like we have any better leads. Maybe coincidence has something in mind.

Let's start there.

The hills are dark and eerie.

A Victorian history book wrote that the study of history is like walking into a cave, feeling the grains on the wall.

Working blindly in the dark, all you can do is try to piece together the puzzle of where we came from by feeling around in the darkness.

This land is not friendly to history.

Originium veins assimilate any organic tissue around them, even bones.

All that archaeologists had to work with are Originium-infested ruins. All they could do is mull over metal shards.

But we are different. We are Sarkaz.

We have many ways to look back. Legends say that the revenants in the furnace of Kazdel whisper the achievements of a certain King of Sarkaz, or the sad ending of another.

When I was little, I used to wait by the furnace that never went out, hoping to capture a single echo from the past.

But all I ever heard was silence.

You might actually be right. There's something unusual about the shadows here.

There seems to be a pattern in the chaos.

It's like the ripples created by a sailing ship, overlapping and interfering with one another, until nothing is left but entropy.

Not so much sailing as... drifting.

Drifting.

I once heard a story from an old Diαblo, this word came up in his broken whispers.

What story?

A story of disaster.

Let's hope we don't run into the stuff of those stories.

Let's hope we still have some good luck left in the bank.

A merc who thinks he's lucky is a dead merc.

Which is why we need you to stay behind, W.

We're not here to fight. We need to figure out what we're facing.

If things go south and we need to pull out...

Don't worry, I won't leave the way open for you.

I'll set up the explosives and wait until you're almost at the exit, Vampires and Nachzehrer hot on your tail, maybe Theresis himself, and just as you're about to see the light...

Boom!

You'll become the tragic hero right out of your favorite stories, Hoederer!

You can't handle Theresa on your own, W.

Ines.

I'll actually bury you, you know.

Hmph. You do you.

She really will blow the hills apart though.

We both know she's crazy. No need to provoke her with Theresa's name.

It's just pathetic, the act the she's putting on. I'd rather she knew what she wanted.

You've been in the city for so long. If she wanted to know the truth, she could've just asked you.

Did she ever ask if that Theresa was real?

She never asked me, either. She's never grown up.

She could do one of two things: Grovel at that Theresa's feet and beg for forgiveness, or plan to kill her.

But what is this that she's doing? Trying to prove that she's all great and powerful?

Or is she trying to convince herself that nothing ever happened, that all she needs to do is kill people and plant mines like she always has, and it'll all pass?

It would've been fine if she could actually stop thinking about it. But right now, she's like a little girl standing on the ice.